Artists still waiting for box office cash – 10 years after being kicked out of the Fringe!

Sunday, June 20th, 2010

This month marks the 10th anniversary of OTL’s infamous CAR STORIES show getting ejected from the St-Ambroise Montreal Fringe Festival, and already the media are taking note of this disturbing milestone. The story is one of the most recounted in Montreal’s anglophone theatre community – it is the story of unethical corporate interests steamrolling artists at what [...]

Infiltrators needed: agents in town on Saturday, November 7th

Friday, September 25th, 2009

We feel that this is a blatant attempt at discrimination and scapegoating. After all, these supposed aliens aren’t evil. They aren’t harming anyone. They’re just trying to get by and aren’t even a drain. They eat the food that the rest of us throw away or don’t even consider to be food in the first place as this photo suggests

Cars, stories and people

Wednesday, January 21st, 2009

Of all the projects OTL has created, Car Stories is most certainly the longest-running, at times has been the most controversial and if it wasn’t for the infringement Festival, a true viral phenomenon, it would undoubtedly be the best known. In a nutshell, Car Stories is a play containing several shorter plays, a piece of [...]

2008 in the Optative Theatrical Laboratories

Wednesday, December 31st, 2008

It’s New Year’s Eve, so what better time to look back on the past year and the year ahead.  2008 was a busy one for OTL on several fronts: Sinking Neptune II: We adapted our verbatim theatre critique of Canada’s “first play” Lescarbot’s Theatre of Neptune in New France and those remounting it, racism against [...]

Welcome to the OTL blog

Tuesday, November 18th, 2008

Welcome to the official blog of Optative Theatrical Laboratories.  OTL was founded at the University of Calgary in 1999 and soon moved to Montreal where it has been performing guerilla theatre culture-jams and activist plays ever since. In this space, you will hear about our latest projects, reports from previous theatrical interventions such as our [...]